KRCU 90.9 Radio  


As the local affiliate for NPR (National Public Radio) and S
outheast Missouri State University's Public Radio Station, KRCU 90.9 is a great source for quality programing you will not hear anywhere else. For in-depth news analysis
and diverse programming, including music programs, all commercial free, make KRCU 90.9 your radio station of choice.

Recognized for Broadcast Excellence! - Click Here

 

Website      Facebook     Listen Live    


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KRCU 90.9fm's Concert in a Cave
   
The fourth annual event begins at 7 p.m. with a social hour featuring wine tastings by Cave Vineyard. At 8 p.m., participants can enjoy the music of Chicago-based folk singer Mark Dvorak. Mark is a modern day troubadour who has been called a folk singer’s folk singer who has an encyclopedic knowledge of traditional songs.

Tickets are $35 and are now on sale. Proceeds from the event benefit KRCU. To get tickets, call (888) 651-5070.

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Programs

All Things Considered  -  Click Here

Morning Edition  -  Click Here

American Routes  -  Click Here

Radio Reader  -  Click Here

 
The Elliot Potter Show:  -  Click Here
 


See Pictures and Video from the 2010 Concert In A Cave!
Click Here
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KRCU Recognized for Broadcast Excellence



CAPE GIRARDEAU, Mo., June 7, 2011 -- KRCU at Southeast Missouri State University was recognized on Saturday, June 4, at the Missouri Broadcasters Association’s Annual Convention and Awards Presentation at The Lodge of Four Seasons in Lake Ozark, Mo.

KRCU received first place in the documentary/public affairs category for the station’s production of “The Ghosts of the Mississippi.” KRCU Producer Jacob McCleland and Southeast Missouri State University History Professor Dr. Joel Rhodes share the story of ghost-like shadows in the Cairo Fire Department and the thundering of railroading sledgehammers. Firefighters there are convinced that they do not sleep alone, and that someone – or something – labors amongst them every night.


In New Madrid, the ghost of Miss Josephine still admires and flirts with the young gentlemen who visit her old home while spirits at the Dixie Theater have remained well beyond the final curtain. And Cape Girardeau paranormal investigators provide a glimpse into their supernatural research.


General Manager Dan Woods said, “Living in Southeast Missouri and along the Mississippi River is great place to be, and it’s a place steeped in history. This production does a great job of sharing some of the stories of our part of the country that gives all of us a shared bond to the area.”

This year’s award is KRCU’s fourth Missouri Broadcaster’s Award. In 2010, KRCU received first place in the promotions category for the station’s promotion of “The Elliot Potter Show,” KRCU’s locally produced independent music program and a “Certificate of Merit” in the documentary/public affairs category for “The Ghosts of Cape Girardeau,” an hour-long exploration into Cape Girardeau’s haunted past.



As the area’s source for diverse musical programming and award winning NPR news, KRCU strives to continuously excel in providing the highest quality public radio programming to southeast Missouri and southern Illinois. The station broadcasts 24 hours a day from the campus of Southeast Missouri State University on 90.9 FM in Cape Girardeau and 88.9 FM in Farmington and Ste. Genevieve, Mo.

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KRCU 20th Anniversary Gala featuring NPR's Carl Kasell
NPRs Carl Kasell

To celebrate its 20th anniversary as an NPR station, KRCU Public Radio at Southeast Missouri State University will host a two-day signature event in Cape Girardeau October 25 - 26, 2010. The event will feature NPR veteran newscaster and official judge and scorekeeper of Wait Wait...Don't Tell Me!, Carl Kasell.




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KRCU Recognized For Broadcast Excellence

KRCU was recognized twice, at the Missouri Broadcasters Association’s Annual Convention and Awards Presentation, June 5th in Lake Ozark, Mo.

CAPE GIRARDEAU, Mo., June 7, 2010 — KRCU at Southeast Missouri State University was recognized on Saturday, June 5, at the Missouri Broadcasters Association’s Annual Convention and Awards Presentation at The Lodge of Four Seasons in Lake Ozark, Mo.

KRCU received first place in the promotions category for the station’s promotion of “The Elliot Potter Show,” KRCU’s locally produced independent music program, featuring indie rock, folk music, and features and interviews with local bands. The award-winning promo campaign parodies popular films such as “Ghostbusters,” “The Breakfast Club,” and “Star Wars” and intentionally provides contradictory clues as to Elliot Potter’s identity, leaving it a mystery. The show airs weeknights from 10 p.m. to midnight on KRCU.

The station also received a “Certificate of Merit” in the Documentary/Public Affairs category for “The Ghosts of Cape Girardeau,” an hour-long exploration into Cape Girardeau’s haunted past. Hosted by Southeast Missouri State University history professor Joel Rhodes and produced by KRCU staff, “The Ghosts of Cape Girardeau” examined several of Cape Girardeau’s most notoriously haunted sites and delved into the social and historical background behind these tales.

General Manager Dan Woods said, “It’s great to be recognized for the hard work put in by the KRCU staff and volunteers to enhance our local programming and to acknowledge the creativity and hard work that goes into the day-to-day operation of the station.”

KRCU won its first Missouri Broadcaster’s Award in 2008 for “Almost Yesterday,” hosted by Southeast Missouri State University History Professor Dr. Frank Nickell. The series takes a glimpse each week into the rich history of southeast Missouri and airs Wednesday mornings at 7:49 a.m.


As the area’s source for diverse musical programming and award winning NPR news, KRCU strives to continuously excel in providing the highest quality public radio programming to Southeast Missouri and Southern Illinois. Nearly 1.9 million people within the listening area have the opportunity to tune in to KRCU 90.9 FM which is a 6,500 watt station located in Cape Girardeau and KSEF 88.9 FM, a 20,000 watt repeater station located in Farmington. The station broadcasts 24 hours a day from the campus of Southeast Missouri State University. More information is available at http://www.krcu.org/.


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All Things Considered
Week Days - 4:00pm to 6:00pm  ~  Weekends - 4:00pm to 5:00pm



At 5 p.m. EDT on May 3, 1971, the first edition of All Things Considered went on the air. In the more than three decades since, almost everything about the program has changed — the hosts and producers, the length of the program, the equipment used, even the audience. But one thing remains the same: the determination to get the day's big stories on the air, and to bring them alive through sound and voice.

For two hours every weekday, All Things Considered hosts Robert Siegel, Michele Norris and Melissa Block present the program's trademark mix of news, interviews, commentaries, reviews and offbeat features.

The program rings with the disparate voices of its commentators, from veteran analyst Daniel Schorr to poet Andrei Codrescu. It hums with the distinctive music that threads between reports — music collected in the online program All Songs Considered. And by the time All Things Considered marked its 30th anniversary on the air, the program had earned many of journalism's highest honors, including the Peabody, duPont and Overseas Press Club awards.

The news doesn't stop on the weekends, so in 1977, All Things Considered expanded to seven days a week with one-hour news magazines weekend evenings. Today All Things Considered on the weekend is hosted by Guy Raz, NPR's former bureau chief in Berlin and London.



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The Elliot Potter Show
10:00pm to Midnight Monday through Friday!

People are always asking us if we know Elliot Potter. Details are scant, at best, but what we do know is that Elliot is an immutable source of great music that we've never heard before. We think it's from constantly consuming blogs and podcasts, and possibly from overhearing what comes out of Chief Engineer Allen Lane's Zune, which he listens to way too loud. 

Listen any time your little heart desires on our Windows Media Player stream or ITunes, XMMS, WinAmp stream.

     Facebook Elliot      YouTube Elliot     





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American Routes


Saturdays from 12:00pm to 2:00pm on KRCU 909fm


“In the history of American radio, no series has come close to
Nick Spitzer’s
American Routes in exploring the many streams of this nation’s music.”

— Nat Hentoff, Wall Street Journal

American Routes is a weekly two-hour public radio program produced in New Orleans, presenting a broad range of American music — blues and jazz, gospel and soul, old-time country and rockabilly, Cajun and zydeco, Tejano and Latin, roots rock and pop, avant-garde and classical. Now in our 12th year on the air, American Routes explores the shared musical and cultural threads in these American styles and genres of music — and how they are distinguished.

The program also presents documentary features and artist interviews. Our conversations include Willie Nelson, Tom Waits, B.B. King, Dr. John, Dave Brubeck, Abbey Lincoln, Elvis Costello, Ray Charles, Randy Newman, McCoy Tyner, Lucinda Williams, Rufus Thomas, Jerry Lee Lewis and many others. Join us as we ride legendary trains, or visit street parades, instrument-makers, roadside attractions and juke joints, and meet tap dancers, fishermen, fortunetellers and more.

The songs and stories on American Routes describe both the community origins of our music, musicians and cultures — the “roots”— and the many directions they take over time — the “routes.”

American Routes Website


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To The Best of Our Knowledge

Sunday's - 11:00am to 1:00pm


What is TO THE BEST OF OUR KNOWLEDGE all about?
TTBOOK began as an audio magazine of ideas - two hours of smart, entertaining radio for people with curious minds. It's sort of journalistic (because some of us are, or used to be, journalists), but it's never about the President's speech to the U.N., weapons inspections in Iraq, or yesterday's stock market disaster. It's the kind of show that would spend an hour on the future of capitalism, or on the roots of Islamic fundamentalism. It might also spend an hour on hair. Or salt. Or pirates, road trips, psychic phenomena, house cleaning, animal intelligence, high energy physics, or how to say you're sorry. (You'll find all those shows in our archives.) It's the kind of show where someone might mention Charlotte Bronte or Anthony Trollope in one segment, U2 or They Might Be Giants in another.

Could you be more specific?
Sure. TTBOOK produces two hours of radio every week. Each hour has a theme. We mentioned some above, but the best way to get a sense of the scope of the show is to browse our recent show listings. While we do air commentaries and performance pieces and occasional reporter pieces, the majority of the program is interviews. We have a host -- Jim Fleming -- who does some of the interviews and who anchors the show, shepherding guests and other interviewers in and out of radio space. The two other interviewers on the show are Steve Paulson and Anne Strainchamps. Why do we have multiple interviewers? We don't really know -- we just like it. We think it's more interesting than having one host who asks all the questions.

What's up with the themes? Why do you have themes, anyway?
Because it lets us produce the show as a radio salon. Inviting a diverse group of people with really different backgrounds to approach one subject can (in our dreams) create a kind of depth and richness that seems beautiful to us. Our goal is to leave you at the end of each hour with a few thoughts or impressions to mull over. The way a poem can kind of reverberate, leaving you to connect the images and find your own meaning ˆ that's how the theme format works, when we get it right. We got a call from a listener once, who said something we still bring up in staff meetings from time to time: "I don't need more information; what I need is some wisdom." The idea behind the theme format is to allow a subject to develop some depth, while at the same time not boring the pants off those of us with really short attention spans.



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Morning Edition

Week Days - 5:00am to 9:00am  ~  Weekends - 7:00am - 9:00am

For nearly three decades, NPR's Morning Edition has prepared listeners for the day ahead with two hours of up-to-the-minute news, background analysis, commentary, and coverage of arts and sports. With nearly 14 million listeners, Morning Edition draws public radio's largest audience.

One of the most respected news magazines in the world, Morning Edition airs Monday through Friday on more than 660 NPR stations across the United States, and around the globe on NPR's international services.

Its cast of regulars includes some of the most familiar voices on radio: correspondent Susan Stamberg; commentator Frank Deford; news analysts Cokie Roberts and Juan Williams; and newscasters Jean Cochran and Carl Kasell.

Produced by NPR in Washington, D.C., Morning Edition draws on reporting from correspondents based in 17 countries around the world, and producers and reporters in 17 locations in the U.S. Their reporting is supplemented by NPR member station reporters across the country and a strong corps of independent producers and reporters in the public radio system.

Since its debut in 1979, Morning Edition has garnered broadcasting's highest honors — including the George Foster Peabody Award and the Alfred I. duPont-Columbia University Award


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Radio Reader

Week Days from 6:30 to 7:00pm


Current Book: Making The Rounds

When Oscar the cat arrived at the Steere House Nursing and Rehabilitation Center in Rhode Island he was a cute little guy with attitude. He was a typical cat. Or so it seemed. It wasn’t long before Oscar had created something of stir. Apparently, this ordinary cat possessed an extraordinary ...gift: he knew instinctively when the end of life was near.

Join us, as The Radio Reader begins reading "Making Rounds with Oscar," this evening at 6:30 on KRCU from June 15th to July 2nd, 2010



The Radio Reader: The First 70 Years
The book-reading program on WKAR, Michigan State University's public radio
station, originated in 1936 and was called The Radio Reading Circle.  
There was no regular reader and the program aired only 15 minutes a day.  
When Robert Coleman became the station's first full-time manager, he
lengthened the program to a half-hour each day, renamed it The Radio
Reader, and became the first permanent reader.  

Larry Frymire, Coleman's assistant and eventual successor as manager,
became the second permanent reader in 1944.  Frymire left WKAR Radio, for
a time, accepting a position at the FCC in Washington, D.C.  However, he
continued as the reader even while he was in Washington and continued
reading until his retirement from Michigan State University in 1964.  In that
year, Dick Estell was appointed general manager of WKAR Radio and
became the program's third permanent reader.

For the first several decades of The Radio Reader's existence, the program
was heard only in the mid-Michigan area and book selections were somewhat
haphazard ranging from classics such as Pride and Prejudice, Huckleberry
Finn, and A Christmas Carol to recently published works as The Bridges at
Toko-Ri and Doctor Zhivago.  When Dick became the reader, he focused the
program to presenting only newly published books.  As a result, interest in
The Radio Reader grew to the point that other public radio stations wanted
to air the program.  A network of stations was created and today The Radio
Reader is heard across the country by an audience of over one-million.


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